I was just on the phone with my grandmother.

She told me that my mother wants to donate a thousand dollars to my album fundraiser.  The only thing she wants in return is her own copy.  That was the last thing I expected to be thinking about tonight.  I told Maw Maw that I’d have to think about it.  There are several reasons why I need to think about it and Becky Miller’s voice just popped into my head as I think about them… I feel surprised.  I feel nauseous.  I feel trepidatious.  I think she doesn’t know what she’s getting into.  There’s only one real reason for all this fear, Darlene.   Darlene will smack my mother in the face via song.  I don’t want my music to hurt anyone, but Darlene has fighting gloves, armor and a helmet she wears around my mother.  Darlene is a force.  Darlene is fierce.  Darlene is both scared and strong.

Becky Miller said to me once, “You are not responsible for how someone else reacts to your truth. You are only responsible for being honest about who you are.”  I can’t control how my mother reacts to this.  I am nervous she’ll hate it.  I am scared she’ll sue me for non-support.  I’m afraid she’ll deny it and make me out to be the bad guy.

Tonight, for the first time, I read the lyrics to Darlene to my grandmother.  I could barely get through the song, reading it more like a poem.  I was choking up and holding back tears to be able to pronounce the words clearly enough so she could understand what I was saying.  At the end (I was grateful I made it through), she was quiet.  I had no idea what she was going to say.  I asked her, “You there?” and she answered, “Yes, I’m here.  That brought on a few tears. Your Paw Paw’s going to like that.”

So here I am, back to wondering if I should accept the money and give her a record, if I should accept the money and not give her a record, or if I should just reject the whole idea. The brave little one inside of me is afraid that her mother will judge her and hate her even more.  You see, in May of 2002, she called me from jail. She’d been arrested for not taking care of her children (I will spare you the details.).  She used her one phone call to tell me that I ruined her life.  Over the years, she’d called me stupid, lied over and over again, and very nonchalantly said to me when I was seven, “If it happens again, honey, let me know.” after I told her I’d been molested by her boyfriend’s son.  Of course, it happened again, and again, and again.

I don’t think about these things every day, consciously.  However, they color my existence and make me the sparkly person you know today.  I was polished through those moments to become Anita Lorraine, named after both my grandmothers and now have chosen to take my grandfather’s last name, Moore.  Anita Lorraine Moore.

It may take some time to come to a decision on this.  I hope I make a decision that makes the world a better place for us all.  This album is the crux of my inspiration.  Some of my music is happy.  Some is contemplative.  Some is magical.  Some is angry.  Some is broken-hearted.  Darlene, however, is revolutionary and bold.  She is a phoenix.

 

Darlene was raised in two different worlds

One was safe. The other, toil

Darlene paid in the old-time way

Full-grown girl, before she turned eight

 

Her daddy shamed her in the end

Momma left her on her own to fend

She needed love and a place to go

A place she found just a mile or so

 

Grandfather’s hands worked to the bone

Grandmother’s love gave her a home

Grandfather gave her all his pride

Grandmother was her sweetheart’s bride

 

She tried to pray but could not hear

The voice of God within her ear

Darlene knew she couldn’t run

To save herself from his father’s son

She had to freeze, her mind to bend

To save herself from her mother’s men

 

Grandfather came to the rescue

Grandmother was someone she looked up to

Grandfather’s grown into an old man

Grandmother still, she still holds his hand

 

You know Darlene’s not the only one

Children’s tears can’t be undone

But if this truth we refuse to ignore 

This world would change, we would take no more 

 

Darlene learned how to spread her wings

Sang with angels inside her dreams 

Her light shone through the darkest of  nights

Into a song… born of candlelight 

 

We are born fearless

    Named after our kin

 

    Blood and bone

    Show where we’ve been

 

Blood and bone

Show where we’ve been

 

     Blood and bone

     Memories and skin 

If you want to learn more about the fundraiser, visit: Sacred Album Recording Fundraiser 

If you want to see the live video of Darlene, visit here: Darlene Facebook Fundraiser Live Video Series

If you want to share or talk about anything, please send me an email, my door is open: anitalorrainemusic@gmail.com

Please consider donating to my album, 5% of all donations go to RAINN (Rape, Abuse & Incest National Network) is the nation’s largest anti-sexual violence organization. RAINN created and operates the National Sexual Assault Hotline (800.656.HOPE) in partnership with more than 1,000 local sexual assault service providers across the country.)

Thank you ALL for your support of this music, it means the world to me.
$40 = 1 hour in the studio ~
$5 = gas back and forth to the studio! It all helps.

LOVE,

ALM

 

 

I am making a promise to myself right now.

I will always protect you Anita. I will look out for your best interests and remove you from harmful, hurtful situations. I will never allow anyone to abuse you in any way. I will do my best to recognize quickly if that is happening. I will always validate your feelings. They are legitimate and worthy of consideration, even when everyone else chooses to ignore them or forgets them altogether. I will ask you how you feel and what you think about any given situation, but especially hard situations. I will give you time to consider them and space to come to your conclusions without pressure. I’ll give you all the time you need to pray, journal, and seek answers. When you have found them, I will honor them and be proud of you for the work you’ve done of searching your own soul for your own truth. I will light a candle for your resilience and support you in your decisions and love you unconditionally. I will understand that you are doing your best and that your best will not look the same in all situations.

Lastly, I will remember that it is OK if you change your mind and be open to learning what caused you to do so. You deserve all these things, as does everyone else. However, I will always remember only *I* can provide *YOU* with these things, no one else. I cannot provide for everyone and I am only obligated to you to act in your best interests. Your well-being and safety must come first. I will always believe you, trust. I will always take nurturing care of you.

You deserve love and a safe home to which you can return at any time, I will give that to you. Especially at Christmas, if you need to return home, I will take you home.

I love you,

Anita

Dedication: The Preacher Keith who surprised me with a musical instrument today at the coffee shop.  Tears were brought to my eyes when he brought it out.  He said to me, “You will do with this guitar what I cannot and will not. I want you to have it.  I love your music, it is music ministry.”  What a sweet man.  Thanks dude. You rocked my day. Here’s a description of the new little baby, I named her “Preach” – “‘Cordoba Mini R’ features a solid spruce top paired with rosewood back and sides for a deep, full tone.” It sure sounds lovely.  I played a few tunes with it today and learned the Gm chord almost immediately.  I find that all my instruments have a chord they came with.  My Mexican guitar came with A#m7 as her chord.  The Ibanez was E. Straight up E. Image result for cordoba mini r

Song: Precious Memories as sung by the infamous Jim Reeves.  In his memory, this was written, “If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain.”
Written by Linnea Crowther – I sang this song tonight on Facebook if’n ya wanna hear it.  My Aunt Helen requested that this song be sung at her funeral.  I sang it with tears in my eyes. She was 96 when she passed last year. Hard to believe.

Screen Shot 2019-11-19 at 10.58.48 PMScreen Shot 2019-11-19 at 11.01.54 PM

 

Dear Humans, Autumn is sharing her bounty with us in color and for me in creativity! The album is coming along nicely. Some of the songs sound so beautiful, way more beautiful than I could have imagined.  There is only one more left for me to record and we’ll be heading into a stairwell for that recording.  Lo-fi effects in the house! I’m scheduling and rehearsing with the accompanying musicians who will soon be making the magic up in the studio.  Drums, bass, mandolin, piano, guitar and maybe a few more surprises.  Those souls who are helping me are doing sacred work for this project.  I can’t wait to share our magic with you! If you’d like to donate to the studio costs, you may do so here for the album fundraiser! Thank you! Every bit counts! (You can also read about how I got here if you’re interested on the GoFundMe page as well.) We have almost reached our goal! Together you’ve helped to raise $4170 out of $5200! #SurrenderingToTheSacred

Tuesdays have been fun each week sharing songs with you all.  I had no idea it would continue after the initial songs on the album were played, but it felt right to continue!

Last week, Crystal Bright and I played at a restaurant in Greensboro called “Lucky 32”.  The crowd was lovely.  Thank you to our dear Family who came in support of our music.  Here is the link to our duo portion of the show (forgive the poor camera skills *shrugs shoulders* What can I say, I do my best…)

Love to everyone, bundle up and don’t just tell your people you love them, SHOW them!

ALM

 

This week in pictures:

 

 

 

Everyone’s trying to find themselves these days;

seems like the topic of the decade.

Lovers masked behind the text on a screen,

alcohol masking all emotions to be seen.

Our game of tug-of-war between our projections and our shadows,

we stand, stunned in silent stillness, wondering how deep the wound goes.

We’ve forgotten the non-electric world,

between fingers, between addictions, distractions….the absurd.

I’m always on the verge of falling in love… and a desire to be safely furled.

My fear of intimacy may actually be unknowing – can I learn?

Who can teach me?  How do attraction and true love work?

I sit here by candlelight on a cold and dreamy Friday,

wondering if my body’s wasting away.

All the while, imagine the line outside,

hanging my drying lingerie.

 

 

TuesDayNewsDay Vol.2 Issue 17, October 30th – CAUTION: Trigger Warning – this newsletter contains triggering sexual violence references. Please take care.

Dedication: Today’s issue is dedicated to my therapist Karen. Today, while going through what came up in therapy, I realized I would drive to the place, where in October of 1990, I was first molested. I was seven years old. I decided I would drive there, sit on the ground and take a photo. I would also take something of the earth to work with this healing. As the idea came to me, a light bulb exploded in my head. Karen said, “Anita, don’t take your wounded little girl there without your whole adult self holding her, seeing her, and telling her that you are there for her no matter what. You are her nurturing parent now, hold her in your arms.”

I pulled my car into the driveway for the first time ever on my way home from therapy, realizing I have never driven into that driveway before in my life.

This spot, which I have to drive by every time I go to my grandparents’ house, is also a block from where my mother still lives with the pedophile step-father just across the railroad tracks. When I say this healing is a daily, a moment to moment process, I mean it. Literally facing those places every day has wrecked havoc on my insides – but I am resilient and strong, vulnerable and honest with myself. The place is a vacant lot in a trailer park on Pomeroy Street in Graham, where my home used to sit. Now it’s an empty, dirty space with an overgrown concrete platform over which there was a carport. Under that porch, I remember having to take all of our stuffed animals outside to be thrown away because there was such a terrible flea infestation. I remember sneaking up late at night after everyone was asleep, turning on the television to watch Alfred Hitchcock and the Twilight Zone, my face about an inch from the screen, ever wary of any sounds coming from my mother’s end of the trailer lest I get caught.

Vividly, I remember the game we were playing that night in October. My baby sister, a developmentally disabled boy named Jason, and his sister Tasha and I were playing charades. Jason and Tasha were the teenage children of my mother’s red-headed boyfriend. We played in teams and it was decided we would go into the closet to decide what animal or character we would pretend to be. I was seven years old, my sister was 2. I was on Jason’s team. Jason was sixteen. (Typing this I can feel my heart racing and the old familiar anxiety aching in my chest and shoulders, my left eye and cheek twitching.). When we went into that closet and Jason molested me, I was too afraid to move, too afraid to scream, too afraid to fight, too afraid to do anything at all except to freeze. So, I froze. I could feel his icy cold, trembling hands on me. To this day I can still feel the darkness of that closet, the walls closing in around me. When we came out of that closet, I was sick. I don’t remember anything else. I don’t remember the game, nothing. I remember after they left that night, I told my mother what happened. She said to me, “Honey, if it happens again, let me know.”

Those words etched endless caves into the crevices of my heart. Those words are the haunting. Those words represent the moment I knew I was on my own. With no one else to turn to, my grandparents were gone to Disneyland at the time, I was completely alone. I prayed and prayed and heard nothing. Those words mark the day when I, as a seven year old, realized that god didn’t exist and that I wasn’t worth saving. Those words created children’s tears. They cannot be undone, and of course, it happened again.

Despite those memories buried deep in endless caves and my mother within shouting distance, I went. It was my nurturing, accepting, loving, and whole adult self who sat on that ground. I felt the cold, wet grass and soil underneath me. I looked at the trailers to the right and left of me. My phone was propped on the very metal bracket that once held that trailer to the ground. I snapped a shot of me sitting on that sacred ground. It took less than a minute. Leaving, I searched for a four-leaf clover in the tiny patch of yard, but found none. Instead, now a big green black walnut from that place is with me. I plan to do some ritual with that walnut. It tried to escape twice from me before walking up my back-porch steps in Saxapahaw. Something inside told me not to bring it inside my house, so I left it on the back patio table. It is not clear what kind of ritual will come about, but it is sure to be a powerful one of releasing the physical ghosts of that moment. It will be one of forgiving my mother for not knowing or realizing what she was doing. It will be a process of exorcising the grief and trauma which has been sitting in my bones and blood, blooming into the person you see today. Today is all I have.

Quote: Choice is all we get, change is all that’s real.

Song: Silence is the song today folks, listen to your heart beat. – my Tuesday video song series is available here: TuesDay Song Series Video on Facebook

Dear Humans,

Today’s post wasn’t meant to be this way. The events of today were not planned, but have made a mark. The words of my song, Darlene, record this event in a lyrical, symbolic sort of way. Being an artist is a privilege because it lets us put words and visions to feelings and thoughts. We are able to somehow transform our feelings into a universal language others can share. Today with Karen, I admitted to trying to let go of my fears: people won’t like my arts and I’m not good enough to walk in the footsteps of my idols. Slowly and purposefully, she said, “Let’s transform that. You are working on your language, so let’s start here.” So after thinking, my mouth said, “I am letting go of my concern for people not liking my art or me as a person.” I do not need validation of others to justify my existence. This self-work is Sacred. I feed on it; it makes me feel more and more alive and free every day to uncover and unleash the demons. Turns out, they aren’t demons at all. They are one scared, frozen little girl, stepping into who she is destined to be, not solely a victim of her circumstance. I looked Karen in the eyes today and spoke my gratitude for her being here with me this last year and a half of journeying, visioning and healing. It was the first time I’d ever asked to hold hands with anyone. With our feet on the floor, we grounded, I closed my eyes and saw little Anita sitting on my right knee. There Karen prepared me to go sit on that patch of grass, which someday, I will drive by without flinching. I will drive by proud to have been seated there.

Love, ALM